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Empathy
3rd Birthday Thursday 8th April 2004 (Bank
Holiday)
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Bar
Latino:
St Stephens Street,
Bristol, BS1 Cost: £5/£6
Info: 07799
745 870 Capacity:
200 Dress
Code: None
Music Genre:
Tech House, Progressive
House, Breaks
Time: 9
- 3am - Thursday
8th April (Bank Holiday)
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Nick
Warren WayOutWe
www.excession.co.uk
Steve Gerrard (Bedrock/Wreckled
Angle)
Stuart Wilkinson
Sam Richardson
Since Empathy
was formed in March 2001. Ever since it
has become highly successful in bringing
a unique sound to Bristol,
having brought in many Dj's from around
the world including Czech Republic, Australia,
USA, Portugal, Holland, Germany, Israel,
Poland, and Turkey It is known throughout
the UK and abroad, hailed by Pete Tong on
his Radio1 Essential Selection as one of
the best up and coming nights in the UK
and also placed in Dj magazines top 5 clubs
7 times in the past year. Empathy has always
had focus on a particular type of music,
Tech Tribal Progressive House, this is not
the most popular type of dance music in
the UK but Empathy has pushed it into a
ever-popular sound. February 2002 Empathy
joined forces with Hope Recordings with
the launch of Loop held at a 800 capacity
venue in Bristol bringing in guests such
as Dj Remy, Nick Warren, Ashley Casselle
from Holland, Germany and the UK. In December
2002 Empathy started a residency at Prague's
(Czech Republic), at the same time Throughout
2004 Empathy hosted the second room
at Slinky a intimate space which could certainly
create a good atmosphere.
Out of the 259 events many stand out, the
2nd Birthday with Hybrid and once more Empathy
joined Hope recordings with Timo Maas, Locodice,
Jody Wisternoff and Starecase tore the place
apart with tickets selling out a week before
the event. The live performance by Israelis
Flash Brothers was also hugely popular.
Empathy has had 4 residents since the beginning
Nick Farrant played a part in the beginning
later being replaced by Jody WayOutWest
and now we have Sam Richardson who impressed
us so much on his appearances he joined
regular fixture Stuart Wilkinson. Empathy's
appearance at the Ashton Court Festival
in July last year was a memorable appearance
one of the hottest day of the year in more
ways than one. More recently,
Empathy has been on the move again.
Turkey this time, the launch was awesome,
Jay Massive, Ilker Turker and 7 Erhan delivering
the goods, the nights are doing really well
packing in 700 regulars every time, future
guests hopefully include Hernan Cattaneo,
Steve Lawler and Danny Howells. Empathy
has launched itself in to the capital with
Londons Sub Logic being the location right
bang in the West End and plenty to offer
with Graham Dunn and Stuart Wilkinson as
residents and guests to include Sumsonics
Chris Gainer, Jay massive, Demi and many
more. Empathy moves to a Friday for a one
off special with Bedrocks Steve Gerrard
and polish dj Quantum Mekk plus if that's
not enough there's the regular
Thursday at Bristol's Bar Latino with Jody
Wisternoff, Jonathan Lisle and many other
guests.
Dj Profile
- Nick Warren
You can tell when Nick Warren's on the decks.
The music emanating from the man is that
perfect club mix of driving percussion and
soaring musicality, bursting out of the
speakers, soaking everyone in melody, drenching
them in sound. On the floor, where it really
matters, his crowd experience all the peaks
and troughs that make his music so unique.
Locking on early, you'll hear his deeper
take on house which morphs, as the club
mood changes, into harder territory, music
for sweating and losing yourself to. And
at that point when the light are low, when
smoke fills the room and people are dancing
on instinct, that's when the melodies start
to rise over the top, washing the worries
and exertions of life away, completing the
club experience. That's why Nick Warren
is so respected, because he knows how to
truly work a club, to take a crowd high,
then higher again. That's what comes with
vision and, just as importantly, experience.
Nick, a music obsessive who grew up on punk,
reggae and pop was, like so many DJs turned
onto the power of house music in the late
80s. Living in Bristol, he'd been playing
tunes for a few years before, running his
own club night, Wiggle, in the city with
a friend and he took immediately to this
new sound coming from America. In 1990,
a new house club, Vision took the city by
storm and in a perfect bit of timing, he
was offered the chance to play in the upstairs
room, spinning weird downbeat Balearic records
and mixing house with music by The Clash
and Frank Sinatra. Catching the attention
of a group of guys who had their own band,
he was roped in to tour with them as their
DJ when they went to play America. The group
was Massive Attack. As their official DJ,
he began working on music of his own, even
joining the Massive remixing team at one
stage. At the same time, people were beginning
to notice this quietly-spoken DJ from Bristol,
the way that he really understood what made
people dance, yet never compromised his
vision of what good music should be. He
started, unsurprisingly to get written about
in the dance music magazines. Here was someone,
they said, who could rock it with the best
of them, yet who also stood out as a person
with their own unique style, mixing straight
up house with trancier material, throwing
in breakbeats to keep the flow going, playing
the most up to the minute music that somehow
also reflected a rich musical heritage.
Joining up with another Bristol producer,
Jody Wisternoff in 1994 to form Way Out
West, they recorded the seminal 'Ajare'
single together, a huge progressive house
club hit. Three years later, and with the
duo now signed to Deconstruction, it was
re-released, this time breaking into the
charts and finally, the nation's consciousness.
Then came 'The Gift'. With a memorable hook
line culled from an old hardcore track,
blended with a mix of ambient soundscapes
and breaks won it universal plaudits. The
success of 'The Gift' propelled WOW onto
Top Of The Pops and catapulted Nick into
the league of the superstar DJ and producer.
Their next two albums, 'Blue' and "Intensify"
took every single one of the pair's influences
and shaped them into a groundbreaking collection
of tracks that will always remain in the
hearts of fans all over the world. The release
of Nick's fifth GU outing, this time from
the beautiful Icelandic city of Reykjavik
comprises of double cd spanning lush ambience
through to Warrens harder edged prog funk
sound that is representative to what he
plays all over the world. Now the duo of
WOW are signed to Distinctive and have an
eagerly awaited third album due at the start
of next year. The first single, tastefully
entitled "Muthaf****a, is out imminently.
Nick Warren isn't for standing still, he
loves what he's doing too much for that,
but you know that already.
Dj Profile
- Steve Gerrard
Gerrard "Steve Gerrard is another DJ who
is making a name for himself by delivering
great sets everywhere he goes. He always
rocks it at Bedrock when he plays." John
Digweed Steve Gerrard
is a name that, if you follow progressive
music, you will be hearing plenty of this
year. Hailing from Chester, he now lives
in Birmingham, UK and got his first taste
of house music in 1994 when he was given
a copy of the first Renaissance album. He
recalls hearing the track "Song Of Life"
by Leftfield and it completely changed his
ear for music and his life today. In 1998,
Steve won Muzik Magazine's Bedroom Bedlam
competition, and 2 years later won the Ericsson
Award for Best Bedroom Bedlam DJ. Since
then his career has gone from strength to
strength. With influences that range from
the Sasha and Digweed, Nick Warren and Danny
Howells to Adam Freeland and Hybrid and
the technical skills of Anthony Pappa, he
has developed a unique style. Which is:
deep, progressive house mixed with breakbeat,
building steadily and creating a set which
is more than the sum of its parts. All the
while keeping in mind that it is his job
to make people want to
dance and keep on dancing.
These days, Steve's living the life that
many aspiring DJ's dream of. He gets to
travel all over the world, meet new people
and play great music. "If you're lucky",
he says, "this job allows you to do all
of those things, and that's something I'm
very grateful for." Although we know it's
more than just luck that will take you places.
Some of Steve's notable accomplishments
include: Winning the Ericsson Muzik Award
(best bedroom bedlam DJ 2000), starting
his own successful club night in Birmingham
called Subspace and headlining at some of
the world's greatest clubs. He also produces
as one half of both Filta and Wrecked Angle.
Now with a full DJing schedule, Steve has
been invited to play around the world at
clubs like Bedrock, Home (London), Nikita
(San Francisco), Giant (LA), Spundae (WMC
Miami), Limelight (NYC), Skysound (Mexico),
Fluid (Hong Kong), Code (Birmingham), Ministry
of Sound, The End (London), Passport (Moscow),
Gas Club (Sydney), El Campo (Argentina)
and Trance Buddha (Amsterdam), as well as
being picked by Steve Lawler to be resident
at his Midweek Session night. Steve's played
alongside the A list of DJs, and his broad
musical tastes saw him invited to appear
as the support DJ for Oasis at Wembley Stadium
in front of 93,000 people!!! Steve's mixes
have been featured on such infamous dance
radio shows such as Pete Tong's Essential
Selection and John Digweed's Kiss FM show
in London. He also mixed a CD for the cover
of Muzik Magazine (December 2000).
As if the life of a jet-setting wasn't enough,
Steve's now also focusing on production.
He and studio partner Russell Pearce have
released tracks and remixes under the names
Wrecked Angle (breaks) and Filta (progressive).
With releases on Minimal, Intrinsic & Choo
Choo, plus remixes for the likes of Baroque,
Navigation and 3 Beat. John Digweed, Sasha,
Nick Warren, Anthony Pappa, Steve Lawler,
Hybrid, James Zabiela and Danny Howells
have all been supporting their tracks. Xpander
called Steve "one of the most impressive
upcoming DJ's in the world", and Chris from
Hybrid said in Muzik magazine that "Steve
is one of the best up and coming DJs I've
heard in a long time. He has very similar
tunes in his box to me, actually - deep,
progressive tracks that aren't too shiny!
I walked into a club recently and he was
playing most of the stuff I was going to
play...
God knows where he gets all those tunes!"
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